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All members of the association have competence and expertise with regard to the intangible cultural heritage as they are mainly traditional zampogna makers and players, other traditional instruments makers and players, dancers, ethnomusicologists, anthropologists, musicians and scholars, besides being all members of the various communities present in the Pollino area, including Arbresh representatives.


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All members participate actively since ever to all religious and cultural events of the community, as they are part of it and also are important members of the communities of the Pollino area, as documented by the innumerable studies done by all anthropologists studying the Pollino area and the local cultural tradition. At all religious and non feasts, the members of the association are active participants of all cultural events implemented, as they are the main bearers of the local cultural intangible heritage, inherited by their ancestors and continued by them and handed over to the young generations.

It is practically impossible to present a specific timeframe, as the activities are implemented daily, since the last generations of these families, and have always included transmission and safeguarding of the tradition and cultural heritage from one generation to the other. In this area as in many other parts of Italy, playing the zampogna, dancing, singing, is part of every day, it is done when returning home after working in the fields, or else, as a means of being together and sharing among the members of the community its cultural tradition and also a way to reconfirm the community among its members.

Since the last ten years and more, all members of the association have contributed in trasmitting to innumerable young people their knowledge both regarding the construction of zampogne, totarelle and other traditional local musical instruments and music and ways of playing these instruments, besides dancing and singing, contributing hence in safeguarding and transmitting the cultural intangible heritage of the communities of the Pollino area. The management board includes: Giuseppe Salamone bearer of tradition , Giuseppe Altieri bearer of tradition , Antonio Arvia zampogna player and teacher , Paolo Napoli various local traditional player and ethnomusicologist , Mauro Semeraro player , Domenico Miraglia bearer of tradition , Saverio Marino player and singer.

The entire philosophy underlaying the work implemented by the association aims at pooling together the traditional knowledge and pratice of the communities of the area through their direct involvement and participation. Particular attention is given to all the feasts of the local communities and to the participation of the members of the association with special regard to the religious feasts which are an important aggregation and identification moment for all the people living in the Pollino area.

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Programmes and participation to all events of the area are established in sinergy with the local communities who strongly take part in all rituals marking the various parts of the year and try to maintain their local tradition and languages, sharing repertoires, dances, food, stories, use of herbs, etc. It aims to safeguard and revitalize puppet traditions and the related craftsmanship, as well as local practices and productions in their different territorial, artistic and traditional expressions so as to save and expand the rich immaterial heritage connected to Sicilian folk traditions and to encourage the research focusing on their relation with their original context.

This activity takes place by means of collecting; research; promotion; networking and cooperation; educational, didactic and theatrical activities, eg. Since the beginning they have undertaken important researches about local traditions and material culture collecting important testimony and recording, among others, religious festivals, puppet shows, interviews to puppeteers and traditional spectators. Also, to safeguard the Opera dei pupi, the Association started to collect lots of items used to put on traditional shows creating the first core of the collection, which was to be exhibited at the Museo internazionale delle marionette International Puppet Museum , founded in its collections include ab.

It encourages the intercultural dialogue by adopting an interdisciplinary approach and proposing programmes, which have always promoted an exchange between folk and cultivated theatre, art and music in relation to the field of performing arts, heritage and culture. In its latest five editions, it involved more than artists www. This stable collaboration has allowed the organization of ab. Meetings with art and traditional music , held in various Sicilian towns and in collaboration with CIDIM Italian National Committee for Music , which included performances of local story-singers concerning some famous stories of the poetico-musical repertoire.

Performed according to the traditional executive techniques and staging codes; cunti, which are serialized stories publicly related by wandering storytellers and concerning chivalric epics stemmed from the ancient French Chansons de geste; concerts of folk songs; seminars about the Opera dei pupi and Unesco masterpieces of the oral and intangible heritage of humanity held in Palermo.

This stable collaboration aims to increase their activity and expectations within a constant exchange and dialogue, which are at the basis of the important research activity carried on by the founding members of the Association. In addition, in order to revive, promote and popularize it, since the opening of the Museum, the Association organized an annual review of the Opera dei pupi and during the year it still schedules Sicilian puppet shows by inviting companies from all over Sicily and involving them in other didactic activities.

Not only does the Association mediates in the relationship between puppeteers and national and international spectators and institutions, but it also creates contacts and cooperation with craftsmen, puppeteers and artists from other countries promoting the cultural and professional exchange between Sicilian traditional artists and foreigners operating in the same field. In fact, during the annual Festival di Morgana, the Association often invites companies from abroad, which perform or hold workshops in Palermo, and it has also promoted the production of innovative performances mixing traditional practices ex.

Chinese Opera and Sicilian Opera dei pupi , or various forms of art contemporary dance, paintings and music : the result was the creation of artistic works which plays with the Opera dei pupi traditional codes which gave Sicilian artists the possibility to become more aware about their activity and to expand the range of their experience in the puppet field. Finally, this exchange has helped the development of a more general comparative study of traditional theatrical practices. The "Battuglia di Pastellessa" are ornamental wagons that are prepared to celebrate the religious feast of Saint Anthony, the Abbot, in January following a tradition that started years ago in Macerata Campania.

Membership to the Association is free, without any kind of discrimination with regard to race, citizenship, sex or religious belief. Other Associations, Committees, Institutions and Foundations, sharinq the same purposes of the Association, can apply for membership to the Association. During such event the Association coordinates about 1.


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During the previous days concerts, tastings and religious liturgies warm up the atmosphere. The feast consists in: firing the "Cippo di Sant'Antuono" Saint Anthony's piece of wood , parade of the ornamental wagons of the "Battuglia di Pastellessa", fireworks and a raffle. The band exhibition of the "bottari" is in the morning when they are carried on 16 meter-long wagons, with their instruments consisting of vats, barrels and sickles, realized by local artisans, around the town. After the Mass fireworks are exploded as symbol of the purification and the struggle against the evil spirit.

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Figurative fireworks representing a woman, a pig, a donkey, enrich the symbolism and represent the protective force from the snares of the world. Traditional games as tug of war, the sack race and the raffle, when all donations collected during the procession are auctioned, mark the closure of the festivities. The event is organized by the Association with the sponsorship of the Municipality of Macerata Campania, the Province of Caserta, with the Campania Region, and the participation of the "Comitato per la promozione del patrimonio immateriale".

Dissemination Project Sant'Antuono Web 2. The Association's Web community puts together more than 1. The event was organized by the Association with the sponsorship of the Municipality of Macerata Campania.

The event was organized by Association with the sponsorship of the Municipality of Macerata Campania. The event was co-organized by the "Comitato Carnevale di Montemarano" and the "Comitato per la promozione del patrimonio immateriale ICHNet " with the sponsorship of the "Istituto Centrale per la Demoetnoantropologia" of the Italian Ministry of Culture.

Establishment of the Study Centre "Historia Loci" in order to fulfil safeguarding activities for the intangible cultural heritage of Macerata Campania through research, studies, and events. Young people are invited to join in the practice of playing the various typical musical instruments used while elder people participate in the transmission of techniques and patterns of playing and singing. In order to fulfil the safeguarding activities for the intangible cultural heritage of Macerata Campania, the Association collaborates with other Associations, Committees, Institutions and Foundations, of the territory such as the "Associazione Radici" of Marcianise, the "Comitato Carnevale di Montemarano" of Montemarano, the Province of Caserta, the Municipality of Macerata Campania.

In order to strenghthen the knowledge of its local tradition and specific percussion techniques, it also collaborates with organizations from other parts of Italy including the "Comitato per la promozione del patrimonio immateriale ICHNet - Intangible Cultural Heritage Network " and the "Istituto Centrale per la Demoetnoantropologia" of the Italian Ministry of Culture. Since its foundation in , MusicaEuropa has been committed to developing ideas and projects in the arts in order to bring different cultures together in a social context and give young musicians the opportunity to work professionally with professionals and institutions in the public and private sectors.

The key focus of the activities of MusicaEuropa are music and arts for professionally targeted musicians, but also as a formative artistic activity of fundamental importance for a better development of modern society. Additional information: MusicaEuropa, in accordance with the "Convention for the Safeguarding of the Intangible Cultural Heritage" is engaged in the research, preservation and dissemination of the intangible cultural heritage. This objective has been achieved over the years through a commitment in researching and protecting the ancient traditional music of the Mediterranean area from Turkey to Portugal.

At the end of this five-year project, MusicaEuropa organised the international conference, "European cultural Associations - Today's Problems and Future Development" in December This Festival focused its 7-years activity on creating a real exchange between north and south Europe, on developing the concept of cultural integration, offering young music students important opportunities of quality training with excellent teachers and musicians and concrete possibilities of professional growth playing with the World Youth Orchestra and in chamber music ensembles.

The Festival had many different concerts and music sections the involvement of important international institutions and non-governmental organizations in Rome. The International Fetival of Young Musicians has added value to a common cultural European space and it has fostered international networking connections amongst young people and cultural institutions created international partnerships. Innovative programming of the concerts received a widespread appreciation by broad international audiences. The World Youth Orchestra gathers young students from 16 to 28 years old, coming from the best music academies, conservatories and universities of the five continents to play music together.

The activities include high level trainings, music master classes held by well known music professors and musicians, participation to international musical events, tours and concerts all over the world. All these activites foster intercultural dalogue, integration and mobility of youth, multi cultural coexistence through formal and informal education thanks to the universal language of music. Since its foundation in , it has involved more than students from 48 countries. The project had its focus on peace in the Mediterranean area, and its activites were implemented in many Mediterranean countries such as Algeria, Israel, Italy, Jordan, Malta, Palestine, Slovenia, Tunisia and Turkey.

Through formal and informal education, MusicaEuropa fosters young artists mobility and intercultural dialogue. Another project managed by MusicaEuropa in the past years is the "Arthmos Project", a social project for underprivileged children, promoting the artistic education in primary schools with high percentage of children with fewer opportunities social obstacles, educational difficulties, economic obstacles and cultural differences. Artisitic education and creativity aim at developing cognitive, relational and emotional capacity, as well as self-esteem and social consciousness in order to keep children away from drop-outs, lack of dialogue and cultural standardization.

Theses activities has been implemented from to in the suburbs of Rome and we are now trying to implement similar projects in Palestine, together with the Palestinian Minisitries of Education and Cutlure.

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The key focus of the activities of MusicaEuropa are music and arts for professionally targeted musicians, but also as a formative artistic activity of fundamental importance for a better developement of modern society. Additional information: MusicaEuropa is a non-profit association operating in the fields of arts and education, safeguarding the ancient mediterranean musical heritage and implementing international projects to promote music as a tool for intercultural dialogue.

In , thanks to Damiano Giuranna, Alexander Sasha Karlic and other important personalities of the musical world, MusicaEuropa started a research study and to disseminate the music repertoire of folk and traditional music of the Mediterranean basin.

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This Festival focused its 7-years activity on creating a real exchange between northern and southern Europe, on developing the concept of cultural integration, offering young music students important opportunities of quality training and concrete possibilities of professional growth. The World Youth Orchestra gathers young students from 16 to 28 years, coming from the best music academies, conservatories and universities of the five continents. The activities include high-level trainings, music master classes held my well known music professors and musicians, participation to international musical events, tours and concerts all over the world.

All these activities foster intercultural dialogue, integration and mobility of youth, multi cultural coexistence through formal and informal education thanks to the universal language of music. More than students from 48 countries have played in the orchestra. Another project managed by MusicaEuropa and implemented between and in the suburbs or Rome is the "Arthmos Project", a social project for underprivileged children, promoting the artistic education in primary schools with a high percentage of children with fewer opportunities social obstacles, educational difficulties, economic obstacles and cultural differences.

Safeguarding the intangible heritage through the research on ancient traditional Mediterranean music in the Middle East, in northern Africa and in Europe, has been possible thanks to a series of contributions and influences from the professionals working with MusicaEuropa and various collaborations with leading personalities of the world of music such as Alexander Sasha Karlic, Robert R. Holzer, Nader Jalal, Issa Boulos. Damiano Giuranna committed himself to the research of the ancient musical Mediterranean heritage following the teachings of Alexandar Sasha Karlic and Moni Ovadia.

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During 15 years of activities he has gathed hundreds of songs and instrumental music in Turkey, Jordan, Palestine, Israel, Tunisia, Algeria and Morocco. He has studied also the ancient Sephardic music in Spain and Greece. The execution of these compositions has been performed in many countries, giving a concrete contribution to the safeguarding and widespreading of a precious musical heritage. Additional information: MusicaEuropa in the past years has managed different projcet which had the aim to create a spirit of mutual respect and collaboration.